Waiting for Santa
“What a little gift” (Thanks Joe)
(26 votes, average: 4.08 out of 5)
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Samba fever
This is from another great site for Brazilian lp covers organized by label. Check out Sabadadaba.
(24 votes, average: 3.42 out of 5) Loading ...
Dexter Calling
The album’s a real classic from Dexter’s first big “comeback” period (1961)– and represents the strength of his Blue Note years at their best! (This is his second on the label.) Gordon’s rich, full tone isn’t diminished a bit here — and his inventive blowing is given free reign on a set of quartet numbers recorded with Kenny Drew, Paul Chambers, and Philly Joe Jones. The album’s got a few strong originals from Gordon including pieces from Gordon’s score for the Los Angeles production of “The Connection,” “Soul Sister”, “Ernie’s Tune”, and “I Want More — plus the very sweet Kenny Drew tracks “Modal Mood” and “Clear The Dex” and the standards “The End Of A Love Affair” and “Smile” (written by Charlie Chaplin!). This album and the session that produced “Doin’ Alright” were held just days apart while Gordon was visiting stateside after becoming an expatriate in Europe.
This has all the pedigree and credentials of the landmark hard bop recording it is, including Blue Note owner Alfred Lion producing; partner Francis Wolf‘s cover photo; Rudy Van Gelder engineering; and Leonard Feather liner notes.
(37 votes, average: 4.46 out of 5) Loading ...
Station master
The debut record of Curtis Fuller as a session leader, “New Trombone” (1957) with Red Kyner (Sonny Red), Hank Jones, Doug Watkins and Louis Hayes. Prestige. Cover design by Reid Miles. Liner notes by Ira Gitler. Engineered by Rudy Van Gelder.
(18 votes, average: 4.78 out of 5) Loading ...
Tell it like it is
“Tough Talk!!” The Panama Francis Blues Band. 20th Century Records.
(15 votes, average: 3.80 out of 5) Loading ...
Sweet and lovely
From the movie Candy from the book and screenplay by Terry Southern. Candy was played by Ewa Aulin who was a 16-year-old Miss Sweden when she began her career in exploitation cinema, starting with prolific erotic aesthete Tinto Brass’ Deadly Sweet (1967), followed by her breakthrough role as the teen temptress in Giulio Questi’s Death Laid An Egg alongside European mega-stars Gina Lollabrigida and Jean-Louis Trinignant (a role she would re-imagine for The Double (1971). Aulin was unleashed on American audiences with the movie adaptation of Terry Southern’s psychedelic Candy in 1968, where she floated through the muddled incestuous subplot with an endearing naivete. 1972-73 were Aulin’s banner years in terms of onscreen skin, appearing in a few of the better Decamerotics, including My Pleasure is Your Pleasure and Vittorio De Sisti’s Fiorina the Cow, but her piece de resistance – whose steamy lesbian sequence was cut out for American release – was Joe D’Amato’s Death Smiles on A Murderer (1972). In 2002, the German TV doco Ewa Aulin – Die Zeit mit mir als Candy was assembled in tribute to this Swedish nymphette, whose career was brief but momentous.
(35 votes, average: 4.11 out of 5) Loading ...
