“You Be A Disc Jockey”  Cameo Records  “Commercials – Interviews – Jingles – Weather Report – Time Check – Script”   U B A DJ!  Learn how to put the record on!  Drop the needle!  Use the mic!

(And you’ll hear the truth behind the secret world of real-life, pay-to-play DJs!   Here’s your chance to make extra money, coke, gifts, tickets, and hookers from record promoters peddling their sides.)

(32 votes, average: 4.22 out of 5)

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San Francisco’s radio station KYA released this compilation of “21 Golden Gate Greats Vol. Two” with a rip off of R. Crumb’s cover for Big Brother and the Holding Company.  There were tons of these collections from radio stations packaging their city’s local hits.   Listen here! to an interview with John Lennon and other old air checks from KYA.

(25 votes, average: 3.76 out of 5)

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Two nice Brazilian records put out by the Ray-O-Vac Battery Co. Lovely pin-up, pony-tail girl illustrations.

(16 votes, average: 4.00 out of 5)

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“Chaos”  Bob Arborgast and Stan Ross.  Liberty Records.  (1959)  Illustration by Bill Pate.  Read about this and hear it too at I’m Learning to Share!

(6 votes, average: 3.33 out of 5)

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FAT DADDY presents greatest oldies from the kingdom.

Baltimore. The 1960’s. 6:00 AM. Anywhere near a radio and WINN. Paul “Fat Daddy” Johnson, the “300-pound King of Soul” speaks soul jive, his outrageous monologues roll forth with gospel-like fervor.” “Hear me now,” he hisses into the mike. “Up from the very soul of breathing. Up from the orange crates. From the ghetto through the suburban areas comes your leader of rhythm and blues, the expected one – Fat Daddy, the soul boss with the hot sauce. Built for comfort, not for speed. Everyone loves a fat man! The Fat Daddy show is guaranteed to satisfy momma. I’m gonna go way out on a limb on this one, Baltimore. Fat poppa, show stoppa.”

Ringing bells give way to several pulses of the organ followed by the recorded voice of a young girl saying, “lay it on me, Fat Daddy, lay it on me.”

“Fat Daddy, your king, and I’ve got soul for you. This is for all the foxes wakin’ up this morning. Here’s a soul kiss for ya, mmmmmmmmh! From the lips of the high priest, from the depth of a fat man’s soul…”

Fat Daddy was only 40 when he died in Los Angeles in 1978. Esquire, Cashbox, and Billboard have acclaimed him as one of the top five R&B disc jockeys in America, while Record World magazine called him simply the No. 1 soul man in the nation.

Here some sound clips of Fat Daddy at www.artweb.org

(12 votes, average: 3.42 out of 5)

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“Carita de Angel” Morgan Blanco Y Sus Viajeros.  On Discolando.

(5 votes, average: 3.80 out of 5)

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Buck Rogers In the 25th Century.  An Original Radio Broadcast.  A George Garabedian Production.

(9 votes, average: 3.11 out of 5)

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What a stellar line-up of talent Mike Curb and MGM Records was able to pull together for this early “just say no” type PSA record. Both Arte Johnson and Alan Sues! (Those guys were always wasted!)

(16 votes, average: 4.25 out of 5)

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“A memento of the “Better Homes For a Better America campaign on NBC radio from ALCOA.”  Music from Monitor records.  Check out the super space-age, bachelor pad turntable!  Futuristic furniture from the late fifties.  This industrial design, hi-fi console looks like a piece of modern art.

(11 votes, average: 4.00 out of 5)

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An actual story in sound of “A Dog’s Life” as broadcast on CBS Radio Workshop. Conceived and recorded by Tony Schwartz. Folkways Records. 1958.

I had the rare priviledge of meeting and getting to know Tony Schwartz. Once again, my search for records led me to an experience I’ll never forget. Tony responded to an ad of mine that said I buy records. I didn’t know who he was at first, but based on his description of his collection over the phone, I made a date to visit his home on the upper west side of Manhattan.

Entering his three-story brownstone was like going into a vault that had been filled over the past fifty years with a lifetime of recordings, recording equipment, books, magazines, artwork, awards and more. File cabinets and rows of boxes packed in tall metal shelving units turned the main floor into a recording studio and home office. Scrolls of audio tape hung from clothes lines criss-crossing the room. A world of sound bites hanging like flypaper strips.

Because he has suffered from agoraphobia his entire adult life, Tony has rarely strayed far from his home and this home production office. Due to this fear of leaving home, he began to trade audio tapes with pen pals and like-minded amateurs recording sounds from their daily lives — girls skipping rope and singing schoolyard songs, taxi drivers’ ranting, slave songs, South American frogs croaking, street performers (I think Tony was one of the first to record Moondog), and more from countries around the world.

Tony’s record collection was on the third floor and it was legendary! It included many fifties Folkways records, incredible sound effect and sound library records, spoken word records – from Eldridge Cleaver to Alan Ginsburg to Tony’s friend and co-writer Marshall McLuhan. Tony’s collection also included lots of international and world music records and, strangely perhaps, many sixties rock and psych records by groups such as The Mothers, The Fugs and The Chocolate Watchband. I spent many hours and days absorbing this collection and discovering recordings I never new existed.

Even after buying Tony’s collection, I returned to visit with Tony, his wife and son and to just listen to the amazing stories that Tony told about a life dedicated to education and to bringing integrity and art to radio and TV advertising for the past fifty years. I urge you to read about Tony and his amazing life and career. He has done as much as anyone to use media to affect positive change in the world. He has created some of the most effective public service advertising ever. Around this time, Tony invited me to a tribute to him at the Museum of Broadcasting.

I’ve added a category for Tony Schwartz’s records on the site will continue to post his records in the future.

(6 votes, average: 4.17 out of 5)

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