Did someone say … COCK FIGHT!!?
“Pelea de Gallos” Canta Lola Beltran Peerless Records (Mexico)
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“Pelea de Gallos” Canta Lola Beltran Peerless Records (Mexico)
Another far out porno cover from the Chucha La Loca series from Mexico.
Juan Garcia Esquivel “Cabaret Tragico” RCA Victor Mexico. (1957) The soundtrack from a Mexican crime drama—his second to last release before heading north to the States. Vocals on five of the tracks by Columba DomÃnguez, Elsa Cárdenas, Carmen di Lirio, and Kitty de Hoyos.
One of the last and the best of those infamous mexican nightclub melodramas (“PelÃculas de Cabareteras”), it features a stunning noirish cinematography, over-the-top acting by half a dozen of wonderfully weird and wicked latina beauties such as Columba Dominguez and Kitty de Hoyos (looking like a drag queen performing Marilyn Monroe!) plus great -if low budget- musical show clips performed by the mesmerizing Esquivel, the “King of Zu-Zu-Zu”! Another masterpiece from the great (beer-drinking?) director Alfonso “Corona” Blake, who began as an assistant to Luis Bunuel and Emilio “Indio” Fernandez and gave the world some of the finest campy horror- and “Il Santo”-classics.
Psychodelic Music Philips Records. A strange one from Mexico. Includes songs by Pierre Henry, the French composer considered a pioneer of the musique concrete genre of electronic music. Among Henry’s best known works is the experimental 1967 album Messe pour le temps présent, featuring the popular track “Psyché Rock.” In addition to “Rock Psychodelico” this ep includes “Demasiado Delirio,” “Tonico Juvenil” and “Jerk Jericho”. FYI, the theme song of the TV series Futurama is inspired by “Psyché Rock.”
“Besame Mucho” Gran Orquesta Romanicos de Cuba. Musart from Mexico.
TWIST! “Explosivos Vol. IV.” A compilation from Mexico (I think) with bands like: “Los Electronicos”, “Los Crazy Boys”, “Los Locos Del Ritmo” in addition to Bill Haley Y Sus Cometas! A beautiful golden glow to this one.
ACID TEST on Sound City Productions with Ken Kesey and The Merry Pranksters along with members of the Grateful Dead and others. Ultra rare original copy of drugged out noise experimental psych weirdness housed in paste-on cover with blank back.
From the Acid Archives: “Legendary documentation of the 1965-66 Bay Area Acid Test scene “from 14 hours of the actual trip” (recorded in a studio). Shows the other side of acid culture which is fun, unpredictable and avant garde as opposed to the Leary camp’s solemn religious/ psychological approach. Lots of amazing mind games and word play with Kesey and Ken Babbs in good form, ad libbed poetry, fractured harmonica solos, tape loops and the Grateful Dead lurking in the background. Released in March 1966, just as the Pranksters were splitting for Mexico.”
“Sex and Sin of Juarex, Mexico” One of the “Cities of Night” series that served as a recorded “trip tik” to sin and pleasure.