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Ken Nordine and the Fred Katz Group “Word Jazz” Dot Records The crazy, twilight zone meets madison avenue meets jack kerouac recordings of the uniquely voiced Ken Nordine.
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Ken Nordine and the Fred Katz Group “Word Jazz” Dot Records The crazy, twilight zone meets madison avenue meets jack kerouac recordings of the uniquely voiced Ken Nordine.

The Organic Peter Thomas Sound Orchestra – A super groovy freakout of sixties radio hits on Polydor Records

The soundtrack to the film “Fire Down Below” Decca Records (1957) Rita Hayworth (on location in Tobago) with Jack Lemmon and Robert Mitchum directed by Robert Parrish. The title song is sung by Jeri Southern. Jack Lemmon composed and performed all of the harmonica themes in the movie and Robert Mitchum was so inspired by the Caribbean location that he recorded a – now classic – Calypso record. (Check it out on LPCoverLover)

Enoch Light Orchestra Presents “Spaced Out” “Exploratory Trips Through the Music of Bach, Bacharach, The Beatles Integrating the Moog, The Guitar Scene, Electric Harpsichord, French Horns, Etc.” EMI / Columbia UK

The Ted Heath Orchestra Plays Beatles, Bach & Bacharach Phase 4 Stereo Decca Records Why the same three “B”s?!

Ron Goodman and His Orchestra ….Play Burt Bacharach EMI/Columbia UK

Lennon & McCartney GO LATIN with Tony Osborne

Another one taken off my kitchen wall. Bill Doggett “Hot Doggett” King Records

“Ten Ragas to a Disco Beat” (check it out) by Charanjit Singh (India, 1982) newly discovered and rereleased by our friend Edo at Bombay-Connections Records who writes:
*Until recently it wasn’t much more than some rumours on the web: a 1982 released LP called TEN RAGAS TO A DISCO BEAT containing Kraftwerk-like acid house music, years before the genre was invented.
So it turns out, the record was no rumour. Only a few hundred copies of the LP were ever pressed, and only a handful seem to have survived. Moreover, the LP outdoes all expectations. Performed on the synths that would later define Acid House, the Roland TB-303 and TR-808, the album sounds light years ahead of its time with its repetitive beats and hypnotic electronic melodies. Its maker, Bollywood session musician Charanjit Singh, set out to translate ancient Indian classical Ragas to the modern synthesizer and in doing so seems to have invented House music along the way. The 10 tracks make a consistent listen from A to Z. Its restrained minimalism and lack of cheesiness makes it incredibly contemporary, sounding animated, fluid and unabashedly alive.”