Welcome to the weird and wonderful world of record covers from the golden age of LPs

Subscribe to feed Follow us on Twitter Follow us on Tumblr

Types and Fonts

You are currently browsing the archive for the Types and Fonts category.

Dusty’s grooves

Screen Shot 2013-04-16 at 10.52.49 AM

DUSTY  Springfield  Born today in 1939  (Died in 1999)   “Where Am I Going”  Philips Records (UK)  Dusty’s third LP from 1967.

1 Star2 Stars3 Stars4 Stars5 Stars (39 votes, average: 4.23 out of 5)
Loading ... Loading ...

Be sure to wear flowers in your hair


Here is a 10″ LP from Romania, mid sixties with Margareta Pislaru.  – via LP cover lover, Peter

1 Star2 Stars3 Stars4 Stars5 Stars (32 votes, average: 3.63 out of 5)
Loading ... Loading ...

Hey big boy!

Arthur “Big Boy” Crudup  Delmark Records “Look On Yonder’s Wall, Hand Me Down My Walking Cane”  (1969).  The human voice has rarely been as movingly rich as that of Arthur “Big Boy” Crudup nor has the human experience been so thoroughly mirrored as in the simple blues poetry of this big and gentle man from Mississippi.  Some have commented that Crudup’s voice sounds similar to that of Elvis Presley but the truth is the other way around; Crudup wrote several of Presley’s hits and seems to have been an early Presley idol.  – Delmark Records  His last few gigs were with Bonnie Raitt.  He passed away in 1974.  You can see here in the design, the melding of blues legends into popular music and the youth culture of the sixties.

1 Star2 Stars3 Stars4 Stars5 Stars (37 votes, average: 3.43 out of 5)
Loading ... Loading ...

All you need is dub

General Smilie and Papa Michigan  “Rub-A-Dub Style”   Studio One Records (Jamaica)  (1979)   The song flips the old Alton Ellis song “I’m Just A Guy” .

1 Star2 Stars3 Stars4 Stars5 Stars (42 votes, average: 3.93 out of 5)
Loading ... Loading ...

Mandigo Brass

“Ultimate Mash Up”   (Puerto Rico)  (1979)

1 Star2 Stars3 Stars4 Stars5 Stars (34 votes, average: 2.82 out of 5)
Loading ... Loading ...

“O” baby, baby!

Another great graphic cover from the Musart Record label in Mexico.  “Rock ‘n Roll”   Illustration looks to be by Alfonso Miquel.

1 Star2 Stars3 Stars4 Stars5 Stars (43 votes, average: 3.65 out of 5)
Loading ... Loading ...

Drop, bop, and burn!

“Boppin’ & Burnin'”  Don Patterson, Howard McGhee, Charles McPherson, Pat Martino, Billy James  Prestige Records  (1968)

1 Star2 Stars3 Stars4 Stars5 Stars (41 votes, average: 3.54 out of 5)
Loading ... Loading ...

Sugar Pie’s guys

American Folk Blues Festival 1964  Fontana Records (UK)   Recorded in the Musikhalle in Hamburg that year including Sonny Boy Williamson, Sugar Pie Desanto,  Howlin Wolf and others.  Courtesy of Chess Records.  GO Sugar go!

1 Star2 Stars3 Stars4 Stars5 Stars (53 votes, average: 3.60 out of 5)
Loading ... Loading ...

Super Bad

“THE SUPER SUPER BLUES BAND”  Checker Records  HOWLIN WOLF!  MUDDY WATERS!  BO DIDDLEY!  A Mount Rushmore of Blues Legends!   In early 1967, Chess Records decided to shore up its fortunes by placing three of its aging stars in the studio to record together.  Muddy Waters, Bo Diddley and Little Walter played off each other on the session that would result in the Super Blues album which, in turn, would sell enough copies to keep the ball rolling and merit a second all-star session.

Later that year, Waters and Diddley were joined in the studio by the great Howlin’ Wolf who replaced the ailing Little Walter, for a similar blues jam session. With a top-notch band that included guitarists Hubert Sumlin and Buddy Guy (who also played bass), pianist Otis Spann, and drummer Clifton James, the trio of Chess legends laid down the songs that would become The Super Super Blues Band album.

1 Star2 Stars3 Stars4 Stars5 Stars (60 votes, average: 3.85 out of 5)
Loading ... Loading ...

Sims city!

Zoot Sims plays Alto, Tenor and Baritone  ABC-Paramount Records  (1956)  With John Williams (p), Knobby Totah (b), Gus Johnson (d)  Music by George Handy.  Bob Brookmeyer describes the power of Zoot’s playing:   “Zoot plays earthy.  He is direct, simple, logical, and above all, emotional”.   Here Zoot blows alto, tenor and baritone saxophones in unison, opening and closing passages, and soloing individually on each horn.  Dom Cerulli, in his highly enthusiastic review in Down beat, said: “Handy’s writing is as constantly alive and imaginative, as Zoot’s playing is forceful and swinging.”

I remember where I bought this LP as I surprisingly often do when pulling one down from the shelf.  Funny that.  This one came from the only used record store in Key West on a short trip I took there in 1986.  It was on the wall next to a Sun Ra on Saturn that I also picked up that day.  Then it was off to Duval street for a beer and Pepe’s for oysters.  Sometimes a record can bring it all back.

1 Star2 Stars3 Stars4 Stars5 Stars (32 votes, average: 3.09 out of 5)
Loading ... Loading ...