Welcome to the weird and wonderful world of record covers from the golden age of LPs


Subscribe to feed Follow us on Twitter Follow us on Tumblr

Illustration

You are currently browsing the archive for the Illustration category.

Zoo story

records-v-008.jpg

Siegfried couldn’t wait to get home and tell Roy about his first trip to the zoo.

1 Star2 Stars3 Stars4 Stars5 Stars (11 votes, average: 3.09 out of 5)
Loading ... Loading ...

A Hobo’s toast

records-v-004.jpg

1 Star2 Stars3 Stars4 Stars5 Stars (11 votes, average: 2.91 out of 5)
Loading ... Loading ...

El Chucu Bar-b-que

records-iv-026.jpg

1 Star2 Stars3 Stars4 Stars5 Stars (13 votes, average: 4.38 out of 5)
Loading ... Loading ...

Funny business

records-iv-025.jpg

1 Star2 Stars3 Stars4 Stars5 Stars (12 votes, average: 4.08 out of 5)
Loading ... Loading ...

Do the mambo

records-iv-013.jpg

1 Star2 Stars3 Stars4 Stars5 Stars (17 votes, average: 4.06 out of 5)
Loading ... Loading ...

I Marimba

records-iv-012.jpg

1 Star2 Stars3 Stars4 Stars5 Stars (9 votes, average: 4.33 out of 5)
Loading ... Loading ...

Two days in the country

records-iv-011.jpg

1 Star2 Stars3 Stars4 Stars5 Stars (7 votes, average: 4.14 out of 5)
Loading ... Loading ...

Old “Friends”

friends.gif

Fred Seibert writes: OK, here’s a completely obscure cover. It’s to a record I produced in 1973 for my blues & jazz label Oblivion Records. The artist is a alto player called Marc Cohen (now, interestingly, a pianist called Marc Copeland), though it’s more often known as a session of John Abercrombie’s, the guitarist who was a last minute addition; also at the last minute Marc, never a self promoter, insisted the session be released as a group date called “Friends”. He had graduated Columbia University, and we recorded at the college radio station), went on to play with Chico Hamilton. Marc came up to the station to try out an idea he had with a pick-up and exhoplex. This was after the Tony Williams Lifetime, but before Mahavishnu Orchestra. I was overwhelmed by the then-freshness of the sound so we cut this date.

Oh, the cover. Sam Steinberg was an unhealthy guy from the Bronx (4F in World War I) without an education, whose Mom had been bringing him to the Columbia campus since he was a kid. Somewhere in his 60s (in the 1960s) he picked up some paints and illustration board and pooof! he was a painter. Nowadays he’d be known as an ‘outsider’ artist and be known the world over. Then, he was a kind of campus mascot, selling his “boids” and cats and Elvis’s (long before the King’s death) for $2.50 (eventually climbing to $5.50 in the 80s). We’d all adopted him, and rarely would you visit a Columbia dorm room without four or five hanging on the walls. Anyway, since we were recording a Columbia grad at the Columbia station with a Columbia producer, I figured why not? I ‘commissioned’ Sam for $10 (four times his asking price) and a new pair of $50 shoes (his request), well beyond our normal cover budget. When it was released it was universally derided, unless, of course, the reviewer went to Columbia. The record on the other hand was praised as “innovative, well worth your attention” by DownBeat and others.

1 Star2 Stars3 Stars4 Stars5 Stars (11 votes, average: 3.45 out of 5)
Loading ... Loading ...

JAZZ

img_0319.JPG

1 Star2 Stars3 Stars4 Stars5 Stars (17 votes, average: 4.35 out of 5)
Loading ... Loading ...

Riverside’s Paul Bacon

img_0314.JPG

1 Star2 Stars3 Stars4 Stars5 Stars (12 votes, average: 3.75 out of 5)
Loading ... Loading ...