Welcome to the weird and wonderful world of record covers from the golden age of LPs


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Illustration

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Home sweet home

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The Band’s debut album. “Music From Big Pink. Read Al Koopers review from Rolling Stone in 1968 here. Bob Dylan’s naive art graces the cover and indicates the unpretentious and back-to-roots approach of the music within. A watershed release and a kind of response to the studio wizardry of “Sgt. Pepper” the year before. Big Pink landed at the height of psychedelia and brought an earthiness to the scene; changing the course of music and influencing many including Eric Clapton (who cites it as his reason for leaving Cream).

1 Star2 Stars3 Stars4 Stars5 Stars (20 votes, average: 3.85 out of 5)
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People get ready (there’s a “J” train a comin’…)

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Thanks to Laura Levine for this very cool one (that I’ve never seen): “Thought you might enjoy this one. (Brooklyn!) At first I thought it must be a Harvey cover as well, but the credit on the back cover reads PANCHO PACHECO. (?)“

1 Star2 Stars3 Stars4 Stars5 Stars (29 votes, average: 2.69 out of 5)
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Ka-boom!

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El Gran Combo on Gema.

1 Star2 Stars3 Stars4 Stars5 Stars (20 votes, average: 3.20 out of 5)
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Hustlin’ Flo (and Eddie)

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The Turtles! Golden Hits. White Whale Records. This one was in heavy rotation in my room circa 1970. Perfect AM radio pop that, when I hear it today, still brings back those feelings of buying and playing my first records. Lead singers, Flo and Eddie, (named after a stint with Frank Zappa and the Mothers), went on to record together and sing back-up throughout the seventies and eighties. They also hosted a KROQ radio program in LA in the nineties.

1 Star2 Stars3 Stars4 Stars5 Stars (15 votes, average: 2.67 out of 5)
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Chaino fools

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“CHAINO AFRICANA” on Dot Records. “Spellbinding primitive rhythms by Chaino, percussion genious of Africa”. The music here and from other Chaino records is on a CD reissue called “Chaino Africana and Beyond”.

Chaino is one of the elusive figures of space age pop. After growing up in Chicago, Leon Johnson left home and lived a fairly wild life, eventually taking up the bongos and making a name for himself as “Chaino” (taken perhaps from the great Cuban conga player, Chano Pozo?) on the “chitlins” circuit of black nightclubs. In the late 1950s, he went to Hollywood and met producer Kirby Allan, who had recently been inspired by African tribal music during a trip to Kenya. Allan and Johnson went into the famed Gold Star studio in early 1958 to try to create an American-ized version. They eventually succeeded in getting jazz impresario Norman Granz to release some of these cuts on the luridly-titled, Jungle Mating Rhythms. At the same time, they were able to sell tracks to three different small West Coast jazz labels, Score, Tampa, and Omega, and all four albums were released virtually simultaneously. A few months later, Allan signed with the Silent Majority label, Dot (home to Lawrence Welk for a fifth album, Africana. A sixth album, Temptation, was recorded for Omega but was barely out the door before the label went bankrupt.   — Space Age Pop

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The Alegre All Stars

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Vol. 2 on Alegre Label.

1 Star2 Stars3 Stars4 Stars5 Stars (17 votes, average: 2.24 out of 5)
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Ja-jazz flute

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“Ja-Ja-Pacha” by the Orquesta Aragon on the great Latin jazz label Discuba.

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Surfin’ Santa

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“A Christmas fantasy for children and those young in heart presented by 49th State Hawaii Record Co.”   And the record is red vinyl!

1 Star2 Stars3 Stars4 Stars5 Stars (30 votes, average: 3.50 out of 5)
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Hamp’s wild weekend

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Thanks Steve Talley.

1 Star2 Stars3 Stars4 Stars5 Stars (15 votes, average: 3.87 out of 5)
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Welcome to my…

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Edgar Allan Poe keeps you up at night.

1 Star2 Stars3 Stars4 Stars5 Stars (19 votes, average: 3.58 out of 5)
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