Alternative Cover
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Shakin’ all over
Miles away
The cover on top “Music for Your Vacation” is an easy listening lp from Columbia Records Argentina that shares the same stock photo as “Miles Ahead” below.
“Miles Ahead” by Miles Davis was released in 1957. This was the first album Davis recorded with Gil Evans, who combined the ten pieces that make up the album in a kind of suite, each following the preceding one without interruption. Davis is the only soloist on Miles Ahead, which also features a prominent horn section.
Miles was reportedly unhappy about the album’s original cover, which featured a photo of a young white woman aboard a sailboat. He made his displeasure known to Columbia executive George Avakian asking, “Why’d you put that white bitch on there?” Avakian later stated that the question was made in jest. For later releases of the record, the original cover-photo has been substituted by a photo of Miles Davis.
The album features Miles (on flugelhorn) and his band for the recordings consisting of Bernie Glow (lead trumpet), Ernie Royal, Louis Mucci, Taft Jordan, and John Carisi (trumpets); Frank Rehak, Jimmy Cleveland, and Joe Bennett (trombones); Tom Mitchell (bass trombone); Willie Ruff and Tony Miranda (horns, with Jimmy Buffington replacing Miranda on one session); Bill Barber (tuba); Lee Konitz (alto sax); Danny Bank (bass clarinet); Romeo Penque and Sid Cooper (flute and clarinet, with Edwin Caine replacing Cooper on one session); Paul Chambers (bass) and Art Blakey (drums). The album features songs from four separate recording dates each with slight modifications of the band members.
A fifth recording date involved Davis alone (re-)recording material to cover/patch mistakes/omissions in his solos using overdubbing. The fact that this album was originally produced in mono makes these inserted overdubbings rather obvious in the new stereo setting.
On the alternate take of “Springsville”, Wynton Kelly features on piano as part of a version that underwent a re-write for the next recording session. Only about 10 seconds of his playing is heard on this track, although about 5 seconds of this can be heard in the master track. Nevertheless, Kelly’s contribution to the album was left uncredited until the reissues came out. (Wikepedia)
Embraceable you
“The Lush and Exotic Sounds of Martin Denny” “Romantica” This is the cover Liberty might have used (if someone in the art department had loved large-breasted women this much.)
Smokin’ 45’s
James Brown and his Famous Flames “Try Me!” King Records A collection of James Brown’s earliest R&B singles from 1959.
Lp chubby lover
Stubby Kaye. “Music for Chubby Lovers” Seeco. Occasionally you’ll see — as I do now pulling records off the shelf to post here — how I used to insert myself into various cover scenes. This was pre-photoshop obviously.
Music for Monsters
Two cover variations for the 1964 release of “Music for Monsters, Munsters, Mummies & Other TV Fiends” The Exciting Sound of Milton Delugg and his Orchestra. Cover illustration by Jack Davis top and the cast of “The Munters” bottom. Both on Epic.
Milton DeLugg is the composer of “Hooray for Santy Claus,” the catchy theme song for the low-budget motion picture Santa Claus Conquers the Martians. In 1958 he produced Buddy Holly’s famous record, “Rave On.” DeLugg enjoyed a long association with Chuck Barris, beginning as arranger of the original theme to The Newlywed Game in 1966. From 1976 to 1980 he was musical director of The Gong Show. DeLugg often appeared on the show as a comic foil, in the characters of bad joke teller Naso Literatus and philosopher Old Drool. DeLugg’s venerable “Hoop Dee Doo” became a fixture on The Gong Show and was used whenever the contest winner was chosen.
Peel slowly and see
The Velvet Underground by Andy Warhol.
“Hey man, said the monkey to the banana, gimme some skin!”
Rappers’ delight
Wow. Check out this amazing Hip-hop recreation of the Beatles “Sargent Pepper” album cover. For a listing of who’s who and how he did it check out DKPresents here!