Tango and ash
El Tango y Tu Anibal Troilo Kubaney Records
(52 votes, average: 3.25 out of 5)
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(52 votes, average: 3.25 out of 5) Loading ...From the peanut gallery
Anyone up for a good ELEPHANT JOKE!? Just ask Betty Marnell, Higgins & Lord Willoughby or Bob Manchel “Elephant Jokes” on Rosco Records Includes my faves “Safari Nice Elephant,” “My Husband THE elephant” and “Stop Me If You’ve Herd This”. By the way, “How do you stop an elephant from charging?” Hmmmm?
(37 votes, average: 3.19 out of 5) Loading ...Smoke and mirrors
Rendez-Vous Avec Rex Stewart Barclay Records (France)
K & J.J. East Coast Jazz Bethlehem Records (Cover by Burt Goldblatt)
(50 votes, average: 3.94 out of 5) Loading ...Moondance
Amazing!! Here’s a cover that you’ll likely never see anywhere else. A truly rare sleeve and an unknown treat for collectors of “outer space” cover art. Tony found this one in Mexico, but it is OUTTA-THIS-WORLD!
“Pachanga en la Luna” Eugenio Fondeur Peerless Records
(45 votes, average: 3.73 out of 5) Loading ...Alto ‘tude
Hank Crawford “More Soul” Atlantic Records (1961) Portrait by Lee Friedlander. Along with David “Fathead” Newman, Hank Crawford lead the pre-eminent sax section of Ray Charles classic group of the late 50’s – early 60’s. Crawford, who joined Charles’ band in 1957, primarily held down the role of baritone sax player, but with this recording he’s able to stretch out on the alto. As he often did with Ray Charles, More Soul sees Hank in the role of arranger. The night that this record was cut, I’ve read, Crawford played Harlem’s Apollo theater until 1am, took the short ride down to Broadway and the Atlantic studios and recorded these seven tracks before dawn. Crawford’s arrangements for septet dispense with piano, aside from a little comping by Hank, which vividly opens out the sound of brass and horns, and gives a greater weight and clarity to the bass/drums rhythm section of Edgar Willis and Milt Turner. Fathead Newman plays tenor. The great Tom Dowd engineered. Nesuhi Ertegun produced. Check it out!
(47 votes, average: 3.51 out of 5) Loading ...Letter perfect
MMMM…The Mills Brothers! Dot Records (All the songs start with the letter M! High concept!) I love these guys! This is from the sixties, but they were great from the 1930’s on. I highly recommend you check them out. Here’s just one: “Be My Life’s Companion”
(41 votes, average: 3.39 out of 5) Loading ...Roll another one
“A Crippled Boy’s Prayer” Featuring Jerry D. Brown Star Records (Courtesy of LP cover lover, Tatum)
(60 votes, average: 4.02 out of 5) Loading ...Gone in 60 seconds
Un Minuto de Amor Mercy Cantillo y Berto Gonzalez ECO Records
(44 votes, average: 3.84 out of 5) Loading ...Plas please me
Plas Johnson on Tampa Records (1956) This red vinyl LP was reissued as “Bop Me, Daddy”. The accompanying musicians are: Ray Johnson (piano), Duke Harris (bass) and Sharky Hall (drums). The songs are: Makin’ Whoopee/Last Call/Dungaree Hop/Drum Magic/Blue Jean Shuffle/Plasma/Jackpot/Red Cider.
Plas Johnson can be heard on dozens of R&B recordings made in Los Angeles in the late 1950s, including ones by Don and Dewey, Larry Williams, the Cadets, Richard Berry, and many others. Perhaps his first noteworthy solo was the short piccolo figure that stands for the eponymous bird’s call on Bobby Day’s hit, “Rockin’ Robin.” He was a favorite featured saxman of Lex Baxter who wrote solos specially for him on African Jazz and Tamboo! And at Capitol he recorded with Nat “King” Cole, Peggy Lee, and Frank Sinatra. Plas even sat in on most of the early Beach Boys classics and was an integral part of a number of rock groups that existed in name only, such as B. Bumble and the Stingers and the Mar-Ketts.
While he may not be known by name outside music and collector’s circles, his sax intro to the “Pink Panther Theme” and his playing (with Harry “Sweets” Edison) on the soundtrack to “The Odd Couple” have made his playing part of our collective cultural consciousness.
(34 votes, average: 3.21 out of 5) Loading ...R.I.P., Hall of Famer, Alex Steinweiss
The first cover courtesy of Alex Steinweiss: “Smash Song Hits by Rodgers & Hart” Columbia Records
A sampling of Alex Steinweiss early album cover designs.
A Taschen book of Steinweiss covers and life of work.
Alex Steinweiss, 1947 Photo William P. Gottlieb
Described as the father of record cover design, Alex Steinweiss, died Sunday at the age of 94. In 1939, after designing hundreds of packages, posters and catalogues for Columbia, Steinwiess convinced Columbia Records’ to let him “design” the first true record cover. Until then, 78s were sold in generic brown sleeves. He designed over 850 album covers for Columbia, London, Decca, and Everest Records, developing a trademark style and influencing cover artists and designers throughout the remainder of the century.
I wonder what he would have thought of LP Cover Lover.
(55 votes, average: 4.36 out of 5) Loading ...
