“How To Speak Hip” Mercury Records (1959) Brian Wilson reportedly was a fan of this record and listened to it during the recording of Pet Sounds. (This is born out in excerpts from the Pet Sounds session outtakes where he makes reference to the album.) Del Close also put out the very funny “Do It Yourself Psychoanalysis Kit” record.

Del was one of the founders of Second City, performing with folks like Mike Nichols, Elaine May, Barbara Harris and Joan Rivers in the early “Ëœ60s, eventually leaving Chicago to do a stint with the Committee (and folks like Howard Hesseman) in San Francisco in the ’60s. While on the West Coast, Del was a regular on My Mother the Car and had a recurring role on Get Smart. And in his spare time, he used to do light shows for the Grateful Dead.

In the early “Ëœ70s he directed Second City, and discovered John Belushi, Dan Ackroyd, Bill Murray, Gilda Radner, Harold Ramis, Betty Thomas, George Wendt, Tim Kazurinsky and John Candy; most of them still consider Del their most important teacher.

The words creative genius may be bandied about far too frequently, but in Del’s case, they truly apply. Del remains an incredibly important figure in American comedy/improv, and his influence will long live on. He was undoubtedly the best (and most influential) improv teacher in the U.S., and traveled all over giving his workshops. He didn’t invent improv, but he is probably most responsible for making it into its own art form, particularly with the work he’s done in long-form improv in the past 20 years.

Del Close died March 4, 1999 at Illinois Masonic Medical Center in Chicago. He was 64. Del’s Will was fairly straightforward, but there was one odd provision. He bequeathed his own skull to the Goodman Theatre, to be used in their productions of Hamlet, with him getting a credit in the program.

Check out more at WFMU’s Beware of the Blog here.

(21 votes, average: 4.38 out of 5)

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Kenneth Rexroth organized and emceed the legendary Six Gallery reading on October 7, 1955, at which Ginsberg introduced the world to “Howl”. Rexroth’s work was composed with attention to musical traditions and he performed his poems with jazz musicians. Nonetheless, Rexroth was not wholly supportive of the dramatic rise in popularity of the so-called “Beat Generation,” and he was distinctly displeased when he became known as the father of the Beats.

A life-long iconoclast, Rexroth railed against the dominance of the east-coast “literary establishment” and bourgeois taste that was corrupting American poetry. While he refused to consider himself a Beat poet, his influence as champion of anti-establishment literature paved the way for others to write poems of social consciousness and passionate political engagement. His greatest contribution to American poetry may have been in opening it to Asian influences through his mystical, erotically charged poetry and superb translations. Kenneth Rexroth died in 1982 at 77 and is buried in Santa Barbara on a cliff above the sea.

Read more about Kenneth Rexroth at Modern American Poetry.

(19 votes, average: 3.26 out of 5)

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This is an import from Argentina.

(21 votes, average: 3.29 out of 5)

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Blues-Rock Festival featuring the Blue Grass Champions, Rock Revival Ltd. and The Moody Five.

(15 votes, average: 2.60 out of 5)

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“This one is from 1966, I loved the series when I was a little boy.” — Kerstan Reineke

(20 votes, average: 2.55 out of 5)

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Thanks Uncle Gil!

(20 votes, average: 3.30 out of 5)

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Lord Buckley   “Blowing His Mind (And Yours, Too)   World Pacific Records

(20 votes, average: 3.10 out of 5)

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