The McGlothlins make a porno

“He’s Coming!” The McGlothlins

“He’s Coming!” The McGlothlins

“The Plastic Cow Goes MOOOOOOg” Composer/arranger/performer Mike Melvoin. Dot Records (1970)
Listen up: The Ballad of John and Yoko
From the Liner Notes: “This album is based on musicianship, performances, and repertoire more than effects. I think it’s the first pop electronic album with a soul. It’s a very human electronic album.”
The Moog is an electronic device that can create the four different basic sound waves with their characteristic tambours. After the initial production of the basic sound wave, a variety of different modulation devices enable the player to create innumerable different sounds and effects. The sounds of “old” standard musical instruments can be simulated, but more importantly, as in this album, entirely new musical instruments can be created.
The first recording session for this album produced the rhythm tracks for all the cuts. Guitarist Dennis Budimir, drummers Paul Humphrey, Earl Palmer, and Colin Bailey, and Melvoin playing the bass register on the Moog laid down the rhythmic base for all the tunes. Future sessions involved Melvoin playing only the Moog as a composer/conductor “plays” an orchestra. The sounds in this album are within the ranges of all the standard musical instruments, but were not designed to duplicate their sounds.
Technical assistance was provided by Bernie Krause and Paul Beaver, electronic masters of the Moog synthesizer. They, along with producer Tom Mack, and Melvoin are the men responsible for the creation of the new Moog language needed to put together this album. Listen, if you will, for such onomatopoetic sounds as a “phased rubber band,” a “glass shower,” “damped bells,” and a “soprano with a gurgle.” They’re there. You’ve never heard them before, but you will hear them again!
Mike Melvoin, originally from the jazz world, was the Musical Director of the nationally syndicated Woody Woodbury television show, and in the last several years has recorded with and for every major West Coast recording artist as a keyboard performer. One of America’s most talented young musicians, he here makes great inroads in the electronic music field. The trail has been blazed, the sound has been phased. Sopranos with a gurgle . . . and listeners with an ear . . . may never be the same!
Thanks to 36 15 Moog for the download!


A sweet two-sided cover sent in by lp cover lover, Ulf Gustafsson! Little Gerhard – a pop singer from Stockholm Sweden circa 1963

Another Litt..er Lille Gerhard ep on Karusel Records found at Farbror Sid by way of Martin Klasch who writes: “Lille Gerhard”, who called himself “Little Gerhard” when he sang in English, was one of the first Swedish “rock” singers in the 50s. Enjoy a lille sample here.

“Here’s the Man. I mean the man. The Dynamic Bobby… Bobby Bland!!” Duke Records (1962) One of my personal favorites. From the amazing James Brown at the Apollo-like introduction into “36-22-36” to “Ain’t That Loving You” and “Turn On Your Love Light” this one is soulful and funky and his band is so tight!
Tracks: 36-22-36 / You’re the One (That I Adore) / Turn on Your Love Light / Who Will the Next Fool Be / You’re Worth It All / Blues in the Night /Your Friends / Ain’t that Loving You / Jelly Jelly Jelly / Twistin’ Up the Road / Stormy Monday Blues

“Hillbilly Classics” Featuring Kenny Arnott Planet Records (Australia)

Bossa Nova Velha Sempre Copacabana Records Brazil

“Bedtime” Chantecler Records (Brazil) This creepy doll is up to no good.

The Gospel Four sings “I Won’t Walk Without Jesus” I don’t know about you, but I count five. (Who is she?! Looks like a guy in drag.)

Another nice illustration by French artist Sine. Mario Bua et son Orchestre. “Cha Cha Chacrileges”

Twiggy “Beautiful Dreams”/”I Need Your Hand in Mine” Odeon Records Japan (From Drill Pop)