Plas Johnson on Tampa Records (1956)   This red vinyl LP was reissued as “Bop Me, Daddy”.  The accompanying musicians are: Ray Johnson (piano), Duke Harris (bass) and Sharky Hall (drums).   The songs are:   Makin’ Whoopee/Last Call/Dungaree Hop/Drum Magic/Blue Jean Shuffle/Plasma/Jackpot/Red Cider.

Plas Johnson can be heard on dozens of R&B recordings made in Los Angeles in the late 1950s, including ones by Don and Dewey, Larry Williams, the Cadets, Richard Berry, and many others. Perhaps his first noteworthy solo was the short piccolo figure that stands for the eponymous bird’s call on Bobby Day’s hit, “Rockin’ Robin.”    He was a favorite featured saxman of Lex Baxter who wrote solos specially for him on African Jazz and Tamboo!  And at Capitol he recorded with Nat “King” Cole, Peggy Lee, and Frank Sinatra.  Plas even sat in on most of the early Beach Boys classics and was an integral part of a number of rock groups that existed in name only, such as B. Bumble and the Stingers and the Mar-Ketts.

While he may not be known by name outside music and collector’s circles, his sax intro to the “Pink Panther Theme” and his playing (with Harry “Sweets” Edison) on the soundtrack to “The Odd Couple” have made his playing part of our collective cultural consciousness.

(22 votes, average: 3.23 out of 5)

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The first cover courtesy of Alex Steinweiss:  “Smash Song Hits by Rodgers & Hart”  Columbia Records

A sampling of Alex Steinweiss early album cover designs.

A Taschen book of Steinweiss covers and life of work.

Alex Steinweiss, 1947   Photo William P. Gottlieb

Described as the father of record cover design, Alex Steinweiss, died Sunday at the age of 94.  In 1939, after designing hundreds of packages, posters and catalogues for Columbia, Steinwiess convinced Columbia Records’ to let him “design” the first true record cover. Until then, 78s were sold in generic brown sleeves.   He designed over 850 album covers for Columbia, London, Decca, and Everest Records, developing a trademark style and influencing cover artists and designers throughout the remainder of the century.

I wonder what he would have thought of LP Cover Lover.

(33 votes, average: 4.76 out of 5)

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(Bob Marley – Catch A Fire)

(The Standells – Dirty Water)

(Baby Huey – The Baby Huey Story, The Living Legend)

(Sonny Clark – Cool Struttin’)

(Junior Parker – You Don’t Have To Be Black To Love the Blues)

(Sebastian Cabot, Actor… Bob Dylan, Poet)

Okay, well clearly this was just too easy for you guys!  Six “winners” correctly identified all six covers!  They are Mike; Brian Phillips; Johnny Bean from the UK; Jose; Dan in Quebec: and previous contest winner Keith!  But it was Mike that got there first and within just hours.  Congratulations Mike, let us know your information and size and we’ll get you the LPCL T-shirt.  Thanks to everyone that played along!

(14 votes, average: 2.93 out of 5)

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Sonia y Miriam  Kubaney Records

(23 votes, average: 2.35 out of 5)

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Identical triplets!!   Las Trillizas de Oro  (Argentina)

(24 votes, average: 3.50 out of 5)

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Teeny Records  “Hey Baby”  Vilaines Filles, Mauvais Garcons

(23 votes, average: 3.91 out of 5)

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Billy Vaughn et son Orchestre     “Chop Sticks”     Dot Records

(31 votes, average: 4.19 out of 5)

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“Rockin’ Robin” b/w “Susie Darlin”  Bell Records

(21 votes, average: 2.90 out of 5)

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Another 45 rpm by Jayne Mansfield  “Snicksnack – Snuckelchen” b/w … who cares!  Polydor Records

(35 votes, average: 3.71 out of 5)

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Anita O’Day  “Collates”  CLEF Records (Produced by Norman Granz)  (1953)   A 10 inch LP containing a compilation of eight previous singles.  Re-released as Anita O’Day by Norgran Records in 1955 and with four additional tracks as The Lady Is A Tramp on the Verve label in 1957.  A classic David Stone Martin illustration.

(26 votes, average: 3.15 out of 5)

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