Thunderbird Records Present “Indian Songs of the Southwest” (Gems for Collectors) Includes a paste on cover of native American art by Gerald Nailor from 1948. Interesting liner notes too.

(22 votes, average: 3.27 out of 5)

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Jim Flora illustrates the cover of “Redskin Romp” by Charlie Barnet and his Orchestra.   RCA Victor.  (1954)

(43 votes, average: 4.07 out of 5)

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These old Folkways Records were very special to those in the New York City music scene that Dylan came upon circa 1962. He writes of meeting Cisco Houston at a party on Fifth Avenue down in the Village. Cisco was a compatriot of and fellow traveler with Woody Gutherie. The real deal. Dylan imagined getting a recording contract with Folkways — never dreamt of recording for Mitch Miller’s Columbia until John Hammond signed him. These Folkways covers are distinctive for their think, heavy cardboard covers. This one includes a nice line drawing by artist Ben Shahn. Shahn did numerous covers in the Fifties and early Sixties for various labels.

(11 votes, average: 3.09 out of 5)

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Jiggers Story Time.  Jigger’s, the puppet, goes West.

(9 votes, average: 3.67 out of 5)

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Dead Eye and the Desperados “Saloon pour hors-la-loi”  Authentiques Chansons Cow-boys.  On the French label Mode Disques.

(13 votes, average: 4.31 out of 5)

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Halo was one of the greatest budget labels for cover art. Often the images used were incongruous or without regard to the music contained within. Halo’s on-a-shoestring unpretentiousness and stock photos somehow transcended the square foot format.

(4 votes, average: 5.00 out of 5)

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