Welcome to the weird and wonderful world of record covers from the golden age of LPs


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Things are about to get really crazy here

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“LP Cover Lover” is a great site! I really enjoy it. Maybe you can use this little gem from Germany. There’s no year on it, but I guess it’s from the early sixties. “Tanzmusik fà ¼r die reife Jugend” means “Dance Music For The Mature Youth”. The picture on the cover shows how much fun the mature youth is having. The music is played by “Karlchen’s Ballhaus-Rhythmiker”. You could translate it with “Little Carl’s Dance Hall Rhythmicians” . They surely know their foxtrot, tango, polka, waltz, and even samba! There are many gorgeous details. The booze in the foreground, the windmill on the painting in the background, the fancy black dress of the woman in the foreground. The dancing couple… Wouldn’t we all like to be invited to such a party?”   Regards, Jan Derrer (Switzerland)

1 Star2 Stars3 Stars4 Stars5 Stars (21 votes, average: 4.05 out of 5)
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Guys and dolls

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Grace and Wilbur Thrush — “Rapture!”

1 Star2 Stars3 Stars4 Stars5 Stars (24 votes, average: 2.92 out of 5)
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Champion of the Blues

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Champion Jack Dupree. Atlantic Records. 1961.

1 Star2 Stars3 Stars4 Stars5 Stars (20 votes, average: 3.80 out of 5)
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Steppenwolf

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Steppenwolf’s second record.   1968.   Includes “Magic Carpet Ride”.

1 Star2 Stars3 Stars4 Stars5 Stars (27 votes, average: 3.56 out of 5)
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People get ready (there’s a “J” train a comin’…)

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Thanks to Laura Levine for this very cool one (that I’ve never seen): “Thought you might enjoy this one. (Brooklyn!) At first I thought it must be a Harvey cover as well, but the credit on the back cover reads PANCHO PACHECO. (?)“

1 Star2 Stars3 Stars4 Stars5 Stars (29 votes, average: 2.69 out of 5)
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“Color Blind” Dave Allen

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“Color Blind” is a straightforward slice of Texas blues-rock. Out of place on International Artists, the psych label of The Thirteenth Floor Elevators, etc. but a surprisingly hidden gem of roadhouse rock from the late sixties.

1 Star2 Stars3 Stars4 Stars5 Stars (16 votes, average: 2.56 out of 5)
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Weary blues

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“Did You Ever Hear The Blues?” BIG MILLER (1922-1992) does “deep blues” by Langston Hughes. United Artists.

Clarence Horatio Miller’s first influence in music came from his father’s church but he also heard the blues sung by men working on the railroad. In the 30s, while still a student, he formed a band, but with the outbreak of World War II he joined the army. After serving in the Pacific and in Europe, he began entertaining his fellow soldiers. In 1949 he joined Lionel Hampton’s band, then had a five-year spell with Jay McShann. Miller had a commanding style and his rich voice lent itself especially well to the material he favoured. His influences in the blues were Joe Turner, Jimmy Rushing, T-Bone Walker and Jimmy Witherspoon, whom he followed into the McShann band. He also admired the ballad style of Billy Eckstine. Miller’s abiding interest in the blues was such that writer-poet Langston Hughes wrote a series of songs especially for him.

Langston Hughes (1902 – 1967) published more than three dozen books during his life, starting out with poetry and then expanding into novels, short stories, and plays. He is closely associated with the Harlem Renaissance, the flowering of African-American literature and music in New York City following World War One, but he wrote poetry, books, and newspaper columns right through into the 1960s. Hughes’s work often spoke plainly about the lives of ordinary black people, which in later years earned him a reputation as one of the major black voices of the 1900s. His works include the poetry volumes The Weary Blues (1926) and Shakespeare in Harlem (1942), the novel Not Without Laughter (1930), and the short story collection The Ways of White Folks (1934). He wrote two personal memoirs: The Big Sea (1940) and I Wonder as I Wander (1956).

1 Star2 Stars3 Stars4 Stars5 Stars (19 votes, average: 4.63 out of 5)
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Ka-boom!

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El Gran Combo on Gema.

1 Star2 Stars3 Stars4 Stars5 Stars (20 votes, average: 3.20 out of 5)
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The artist as a young man

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“The Wild Sound of New Orleans.” The 1958 debut record of the legendary New Orleans R&B songwriter, producer and musician Allen Toussaint!

1 Star2 Stars3 Stars4 Stars5 Stars (13 votes, average: 3.77 out of 5)
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“In” sides

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Dobie Gray “Sings For “In” Crowders that ‘Go Go'”

1 Star2 Stars3 Stars4 Stars5 Stars (23 votes, average: 4.26 out of 5)
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