George Harrison “All Things Must Pass” Apple Records (1970) (I got my copy that year.) A triple album with the #1 hit “My Sweet Lord,” “Isn’t It A Pity,” and many other beautiful songs. Album design and photography: Tom Wilkes.
Wilkes was partner in a Long Beach advertising firm when he became art director for the 1967 Monterey International Pop Music Festival for which he created all of the graphics and print materials, including the festival’s psychedelic poster that was printed on foil stock. Music producer Lou Adler, who produced the landmark music festival with singer John Phillips, said Wilkes “caught the spirit of the time” with his festival graphics. The Monterey pop festival “catapulted” Wilkes’ career into the music industry, his daughter said, beginning as art director at A&M Records.
During his heyday, Wilkes designed or provided the art direction or graphic design for scores of album covers, including designing the covers for the Rolling Stones’ “Beggars Banquet,” Neil Young’s “Harvest,” Eric Clapton’s “Eric Clapton,” Joe Cocker’s “Mad Dogs & Englishmen” and George Harrison’s “Concert for Bangladesh” and “All things Must Pass.”
As he did with many of the albums, Wilkes also shot the cover photo of Joplin for her 1971 “Pearl” album, which shows the flamboyant singer lounging on a settee. (Their photo session was the night she overdosed.)
In 1973, Wilkes won a Grammy Award for best recording package for the Who’s rock opera “Tommy,” as performed by the London Symphony Orchestra and Chamber Choir.
LP COVER LOVER loves this frame made for displaying and hanging your favorite cover art. I recently got this easy-to-use, affordable and stylish art frame from a company called Rock on Wall Record Frames out of France. Check it out. I used mine for The Hanleys “A Privilege, Lord” on Zion Records.
Tammi Terrell “Irresistible” Motown Records (1969) “Irresistible” is a collection of Tammi’s solo releases including “I Cried,” “I Can’t Believe You Love Me” and “Come On And See Me.” “All I Do” which is my favorite Tammi Terrell solo recording, wasn’t released until 2002 in the UK (in the compilation A Cellarful of Motown!).
The song was written for her in 1966 by a sixteen year-old Stevie Wonder (with Clarence Paul and Morris Broadnax), and was recorded that year by Tammi and also by Brenda Holloway (also not released until 2005). Stevie Wonder finally released his own version on the 1980 album “Hotter Than July.” (Michael Jackson, Eddie Levert and Walter Williams of the O’Jays, Charie and Ronnie Wilson of The Gap Band and Betty Wright all provided background vocals!)
Tammi began her singing career in 1960. In 1967, she met Marvin Gaye. Their eternally beautiful and romantic duets include “Ain’t No Mountain High Enough”, “Your Precious Love”, “You’re All I Need To Get By”, “If I Could Build My Whole World Around You”, “If This World Were Mine” and “Ain’t Nothing Like the Real Thing” !
In late 1967, she collapsed on stage with Marvin and was diagnosed with a malignant brain tumor. After eight surgeries failed to save her, Tammi passed away in March of 1970, causing Marvin Gaye to sequester himself from the studio until he returned with “What’s Goin’ On” in 1971. Worse yet, her illness and death at just 24 years-old prevented her from realizing her potential as a solo artist. “All I Do” is nice way to remember her.
An audio comic book/musical from Archie Comics on Tifton Records with book, music and lyrics by Bean Clayton and Raol Alland “Idol-ness in Riverdale” (no date on the record – early 70’s?) The Archie look that I grew up with in the sixties and seventies was the work of pin-up and glamour girl illustrator Dan DeCarlo whose previous cartoons were most seen in the “adult” men’s digests of the Forties and Fifties (with titles like “Humorama”, “Gee-whiz”, “Eyeful of Fun” and “Romp” to name a few). He toned down his sexy drawings to make the Riverdale teens suitable for young readers, but I’m sure that Betty and Veronica couldn’t help but spark many tween libidos – and Josie and the Pussycats – forget about it.