http://lpcoverlover.com/2008/09/29/toys-in-the-attic/ The World's Greatest LP Album Covers, 45's too Tue, 07 Feb 2012 00:50:41 +0000 hourly 1 http://wordpress.org/?v=3.3.1 http://lpcoverlover.com/2008/09/29/toys-in-the-attic/comment-page-1/#comment-3224 scotty g Mon, 06 Oct 2008 14:06:18 +0000 http://lpcoverlover.com/?p=6220#comment-3224 The original! "A time for longing and yearning." I'd bust a kappa kappa kappa for this one any day... The original! “A time for longing and yearning.” I’d bust a kappa kappa kappa for this one any day…

]]> http://lpcoverlover.com/2008/09/29/toys-in-the-attic/comment-page-1/#comment-3225 David Cavlovic Tue, 30 Sep 2008 11:44:35 +0000 http://lpcoverlover.com/?p=6220#comment-3225 I had this in my vinyl days. This was a strange period for Bluebird. Until the LP era, it was RCA's primary Jazz Label. Then it was a classical budget label for RCA, usually issuing material licensed from smaller labels (for example, a famous recording by the Toronto Mendelssohn Choir, featuring a very young Jon Vickers, and conducted by Sir Ernest MacMillan of Handel's Messiah, issued on the Beaver Label in Canada. Yes, we do laugh at the double entendre of the Beaver up here!). By the late '60's, Bluebird was once again a Jazz label. I had this in my vinyl days. This was a strange period for Bluebird. Until the LP era, it was RCA’s primary Jazz Label. Then it was a classical budget label for RCA, usually issuing material licensed from smaller labels (for example, a famous recording by the Toronto Mendelssohn Choir, featuring a very young Jon Vickers, and conducted by Sir Ernest MacMillan of Handel’s Messiah, issued on the Beaver Label in Canada. Yes, we do laugh at the double entendre of the Beaver up here!). By the late ’60′s, Bluebird was once again a Jazz label.

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